In “Youngblood,” the debut novel by Matt Gallagher, a young Army officer finds himself caught in a power struggle with his platoon sergeant, and engrossed in a mystery involving a love affair between an Iraqi woman and an American soldier.
The narrative myths of the Greatest Generation are so fixed in the American psyche that it can take a supreme cognitive effort to remember they were once angry young men who both feared and resented home.
Soldiers have tried to preserve memory of wars for probably as long as we have told stories, whether oral or written; one has only to look at the writings of Sophocles for example. During World War I, Siegfried Sassoon and Robert Graves both wrote and published while commanding troops on the Western Front. After World War II and Vietnam, service members such as Randall Jarrell and Kenneth Koch, Bruce Weigl, and Yusef Komunyakaa published poems almost immediately after the end of their respective wars. In our era of blogs, websites, and Youtube, the notion of a service member publishing while deployed or in the near return from said deployment has been renewed, energized, and democratized to an extent inconceivable to our predecessors.